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The Synth-Pop Duo's Creative Genius Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, a key member of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the duo achieved a worldwide hit with their version of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is considered a seminal work of synth-pop.

He subsequently founded the innovative electronic act The Grid, who achieved chart success with 1994's Swamp Thing.

Ball passed away calmly in his rest at his residence in London on Wednesday 22 October, only a short time after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball appeared in a wheelchair, as he had for the previous couple of years, following a spate of health issues.

"I managed to injure myself quite a bit," he stated in a recent interview. "I fractured spinal bones in my spine and fractured about five ribs and broke my wrist."

After contracting a lung infection and suffering from sepsis, he was placed in an medically-induced sleep and remained in hospital for seven months.

Nevertheless, he had been in "a great place emotionally" during the warmer months, as he worked on a fresh record with Almond, called Danceteria, which is scheduled for release next year.

"He was concentrated and so happy with the latest project that we literally finished only a short time ago," stated the singer in a tribute.
"It's so sad as 2026 was completely planned to be such an positive year for him, and I find comfort from the fact that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond referred to his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an significant aspect of my existence and for the songs you gave me. I couldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a partnership with someone is different from being in a band, the bond is incredibly close," he added.
"That's how it was with us. We went through so many remarkable, incredible, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a one-parent family in Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He grew up in the seaside town with adoptive parents his caregivers, who changed his first name from his birth name to his adopted name, alongside his sibling Susan, who was similarly welcomed.

He encountered Almond at an art college in 1977, where they were both learning art. Fuelled by a shared love of a music genre, they formed Soft Cell the very year, and promptly produced an extended play.

Creative Collaboration

The duo were an distinctive combination: Ball was the reserved musician, hunched over his synthesizer, while Almond was a charismatic showman, all glitter and eye-liner; but they attained a unique creative synergy.

Ball had cultivated a fascination with electronic instruments after watching the band Kraftwerk appear on BBC program Tomorrow's World, and began to marry dark electronica to the catchy tunes Almond was writing.

Tainted Love became the UK's second biggest-selling song of the early 80s, shifting 21 million copies worldwide. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it helped cleared the path for the synth-pop sound of the 1980s.

The track was also featured on their full-length debut, their initial LP, which spawned two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The duo were working on fresh songs until just before Ball's death

Career Highlights

Success had its benefits. "I enjoyed being able to purchase my initial property, having money and travelling, which makes me sound like a Miss World," Ball not long ago told with a music magazine.

But it also caused problems. "Sudden riches meant we could afford substances to relieve the monotony" of media interviews and TV performances, Ball said.

"I know that's a cliché, but it's a truism for a valid cause, because it works for so many musicians."

Amidst the party-filled existence, the duo were also drifting apart, but they managed to create a second memorable record - the wayward, tense and fittingly named The Art Of Falling Apart.

They put out another LP, 1984's This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond went on to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting album Cruelty Without Beauty.

After a further break, they reappeared in recent years, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on September 30, 2018.

Yet, they stayed together, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the duo's upcoming release as a homage to the New York club scene they visited while making their first two albums.

He added that his time in hospital had influenced the group's music.

"I experienced unusual memories when I was in and out of hospital because I was on morphine," he explained to a music magazine.
"The new songs are a electronic representation of the sounds in my mind from those days.
"In parallel, it's about the experiences me and Marc had in the 1980s."

The final mixes were finished only days before Ball died. It is due for launch in the spring of 2026.

RW
Written by

Ricky Wright

A seasoned web developer and digital strategist based in Amsterdam, passionate about creating user-centric online experiences.

VectorCity

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